Panasonic HC X20 (Caméscope Pro 4K, 1″ MOS – AVCHD / HEVC – Zoom 20/32x – HDMI)
Sony PXW Z750 (Caméscope épaule XAVC 4K, 3 CMOS 2/3″ nu – B4 2/3″)
Sony PXW Z450 (Caméscope épaule XAVC 4K/HD, 1 CMOS Exmor R 2/3″ nu – B4 2/3″)
Sony PXW X400 (Caméscope épaule XAVC, 3 CMOS Exmor 2/3″ Full HD nu)
Panasonic AJ CX4000 (Caméscope épaule 4K HDR Nu, 1 CMOS 11.14Mp – P2 MXF / HEVC – NDI HX – B4 2/3″)
Sony PXW X400 KC (Caméscope épaule XAVC, 3 CMOS Exmor 2/3″ Full HD avec viseur et objectif 20x)
Blackmagic URSA Broadcast G2 (Caméscope grand capteur 6K/4K, 1 CMOS 2/3 » – monture EF & B4)
Canon EOS R5 C (Caméscope Digital Cinema 8K – CMOS Full Frame -Digic X – Raw Light / XF-AVC / MP4 – RF)
Canon EOS C70 (Caméscope Digital Cinema 4K – CMOS S35 DGO -Digic DV7 – XF-AVC MP4 – RF)
Sony FX30 B (Caméscope compact 4K UHD – CMOS APS-C Exmor R – Bionz XR – (XAVC S / HS / S-I) – E-Mount – HDMI, MiShoe … avec poignée XLR)
DJI Ronin 4D 8K Combo Kit (Caméscope avec tête gyrostabilisé Zenmuse X9 8K – ProRes / H.264 – CMOS 24×36 – DX Mount)
Blackmagic URSA Mini Pro 12K OPLF (Caméscope 12K – Raw – CMOS S35 – Monture PL)
Blackmagic Pocket Cinema Camera 6K G2 (Caméscope 6K HDR – Raw / ProRes – CMOS Super35 – Monture EF Active)
DJI Ronin 4D 6K Combo Kit (Caméscope avec tête gyrostabilisé Zenmuse X9 6K – ProRes/ H.264 – CMOS 24×36 – DX Mount)
Blackmagic URSA Mini Pro 12K (Caméscope 12K – Raw – CMOS S35 – Monture PL)
Canon EOS C500 Mark II (Caméscope Digital Cinema 5.9K – CMOS Full Frame – RAW Light/XF-AVC – EF)
Blackmagic Pocket Cinema Camera 4K (Caméscope 4K/HD – Raw / ProRes – CMOS 4/3 – Monture M4/3)
Sony ILME-FX2 BB (Caméscope compact 4K60p – 33MPx – Exmor R CMOS sensor – Full Frame – XAVC HS – Monture E)
Blackmagic PYXIS 12K (Caméscope grand capteur 12K – Monture L/PL/EF)
Blackmagic Cinema Camera 6K (Caméscope 6K HDR – Raw – CMOS Full Frame – Monture L (Leica))
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.











