Fujifilm GF 50 MM F3.5 R LM WR Objectif photo focale fixe 50 mm F3.5 (Full Frame | AF | G-Mount)
Fujifilm GF 45 MM F2.8 R WR Objectif photo focale fixe 45 mm F2.8 (Full Frame | AF | G-Mount)
Fujifilm GF 30 MM F3.5 R WR Objectif photo focale fixe 30mm F3.5 (Full Frame | AF | G-Mount)
Fujifilm GF 23 MM F4 R LM WR Objectif photo focale fixe 63 mm F2.8 (Full Frame | AF | G-Mount)
Fujifilm GF 120 MM F/4 LM OIS WR MACRO Petit téléobjectif macro 120mm F4 / Monture G
Fujifilm GF 20-35 MM F/4 R WR Objectif zoom grand angle 20-35 mm F4 – Monture G
Fujifilm GF 80mm f/1.7R WR Objectif photo focale fixe 80mm F1.7 (Full Frame | AF | G-Mount)
Fujifilm GF 32-64 MM f/4 LM WR Objectif photo focale fixe 32-64mm F4 (Full Frame | AF | G-Mount)
Fujifilm GF 100-200 MM F/5,6 R LM OIS WR Objectif zoom 100-200 mm F5.6 – Monture G
Fujifilm GF 35-70 mm f4,5-5,6 WR Objectif zoom 35-70 mm F4.5-5.6 – Monture G
Fujifilm GF 55 mm f/1,7 R WR Objectif photo focale fixe 55mm F1.7 (Full Frame | AF | G-Mount)
Fujinon GF32-90mm T3.5 PZ OIS WR Objectif zoom 32-90 mm T3.5 – Monture G
Fujifilm GF 45-100 mm f4 R LM OIS WR Objectif zoom 45-100 mm F4 – Monture G
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.