Canon EOS C400 (Caméscope Digital Cinema 6K – CMOS Full Frame – Triple Base ISO, Dual Pixel CMOS AF I – RF)
Blackmagic Ursa Cine 12K + EVF (Caméscope 12K – Raw – CMOS S35 – Monture PL + EVF)
Blackmagic Ursa Cine 12K (Caméscope 12K – Raw – CMOS S35 – Monture PL)
Blackmagic URSA Mini Pro 12K OPLF (Caméscope 12K – Raw – CMOS S35 – Monture PL)
Sony Venice 2 6K Ciné (Caméscope Digital Cinema 6K – CMOS 35 mm plein format 6K – X-OCN/ProRes – Monture PL et E avec viseur et licence Full frame et Anamorphique)
Sony Venice 2 8K Base (Caméscope Digital Cinema 5.8K – CMOS 35 mm plein format 8K – X-OCN/ProRes – Monture PL et E avec viseur)
Sony Venice 2 8K Ciné (Caméscope Digital Cinema 8.6K – CMOS 35 mm plein format 8K – X-OCN/ProRes – Monture PL et E avec viseur et licence Full frame et Anamorphique)
Arri ALEXA 35 Lightweight Set (Kit caméscope Cinéma 4.6K avec monture LPL, viseur OLED et supports)
Arri ALEXA 35 Body & ARRI LPL Mount Set (Caméscope Cinéma 4.6K – CMOS ALEV 4 Super35 – ARRIRAW / ProRes avec monture LPL et adaptateur PL)
Arri ALEXA Mini LF (Caméscope compact 4.5K – CMOS LF ALEV III – ARRIRAW / ProRes avec monture PL)
DJI Ronin 4D 8K Combo Kit (Caméscope avec tête gyrostabilisé Zenmuse X9 8K – ProRes / H.264 – CMOS 24×36 – DX Mount)
DJI Ronin 4D 6K Combo Kit (Caméscope avec tête gyrostabilisé Zenmuse X9 6K – ProRes/ H.264 – CMOS 24×36 – DX Mount)
Arri ALEXA Mini LF Ready to Shoot (Gold-mount) (Kit de tournage Alexa Mini LF alimentation Gold Mount)
Blackmagic URSA Mini Pro 12K (Caméscope 12K – Raw – CMOS S35 – Monture PL)
Canon EOS C500 Mark II (Caméscope Digital Cinema 5.9K – CMOS Full Frame – RAW Light/XF-AVC – EF)
Arri ALEXA Mini Body (Caméscope compact 4K/2K/HD CMOS 35mm)
Arri ALEXA Mini Body with 4:3 and ARRIRAW (Caméscope compact 4K/2K/HD CMOS 35mm avec licences ArriRaw et 4:3)
Canon EOS C300 Mark III (Caméscope Digital Cinema 4K – CMOS S35 – RAW Light/XF-AVC – EF)
Arri AMIRA Camera Set Advanced (Caméscope 4K*/2K/HD CMOS 35mm, 422HQ, 0.75 – 200 fps avec viseur)
Arri AMIRA Camera Set Eco (Caméscope 4K*/2K/HD CMOS 35mm, 4:2:2, 0.75 – 100 fps avec viseur)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.