Canon CR-N350 Caméra robotisée 4K60p HDR, 1 CMOS 1/2,3″, AF III, Zoom 20/40x – 3G-SDI/HDMI/UVC/IP
Canon CR-N400 Caméra robotisée 4K60p HDR, 1 CMOS 1/2,3″, AF III, Zoom 15/30x – 12G-SDI/3G-SDI/HDMI
Blackmagic Studio Camera 6K Pro Caméra studio 6K50p – CMOS Super 35, EF Active (12G-SDI, HDMI 2.0 et Ethernet 10G | Streaming et enregistrement externe B-RAW)
Blackmagic Studio Camera 4K Pro G2 Caméra studio 4K60p – CMOS 4/3, MFT Active (12G-SDI, HDMI 2.0 et Ethernet 10G | Streaming et enregistrement externe B-RAW)
Blackmagic URSA Broadcast G2 Caméscope grand capteur 6K/4K, 1 CMOS 2/3 » – monture EF & B4
Sony HDC 3500 Caméra plateau 4K/HD, 3 CMOS 4K 2/3″
Panasonic AW-UB50 Caméra Box 4K – CMOS Full Frame – 24.2 MP – Monture L (3G-SDI / HDMI / PoE+ LAN /USB-C)
Panasonic AK UC4000 Caméra plateau 4K UHD HDR – 1 CMOS 4.4K – B4
Blackmagic Micro Studio Caméra 4K G2 Caméra studio 4K – Capteur 4/3 – Monture active Micro 4/3 (12G-SDI, HDMI et Ethernet via USB I enregistrement externe RAW)
Marshall CV368 Caméra compacte Full HD 3.2Mp – Capteur 1/1.8″ – 3G-SDI, HDMI, Genlock (CS Mount)
Marshall CV366 Caméra compacte Full HD 2.2Mp – Capteur 1/2.8″ – 3G-SDI, HDMI, Genlock (CS/C Mount)
Panasonic AW-UB50 Caméra Box 4K – CMOS Full Frame – 24.2 MP – Monture L (3G-SDI / HDMI / PoE+ LAN /USB-C)
Marshall CV380-CS Caméra compacte 4K 3.2Mp – Capteur 1/2.5″ – 6G-SDI & HDMI (CS/C Mount)
Panasonic AW UE4 Caméra 4K/HD, 1 CMOS 1/2,5″, Zoom 4x – HDMI / IP / USB
Sony SRG XB25 Caméra fixe 4K/HD, 1 CMOS Exmor R 1/2,5″, 25x – HDMI / IP
Canon CR-N400 Caméra robotisée 4K60p HDR, 1 CMOS 1/2,3″, AF III, Zoom 15/30x – 12G-SDI/3G-SDI/HDMI
Sony BRC-AM7 Caméra robotisée 4K60, 1 CMOS Exmor RS – HDMI / SDI/BNC / Fibre optique
Datavideo PTC 285T Caméra PTZ 4K60p (8.5Mp) CMOS 1/2,8″, Zoom 12/24x (HDBase T, HDMI 2.0, 3G-SDI & IP | Auto Tracking)
Sony SRG A40 Caméra PTZ 4K30p (8.5Mp) CMOS Exmor R 1/2,5″, Zoom 30/80x (HDMI, 3G-SDI, IP & NDI HX* | Auto Tracking)
Panasonic AW UE30 Caméra robotisée 4K30/UHD, 1 CMOS 1/2.5″, Zoom 20x – HDMI/IP
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.